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N S Sumati was never the pop type. A
disciple of the late Pandit Ramarao Nayak of the Agra gharana,
she sang traditional Hindustani music. So how come she
suddenly decided to make Gamini, this album of pop music?
"At Hengsara Hakkina Sangha,
where I work,
everyone knew I was a singer.
Sarita Vellani, who heads the communication cell, one day asked
me if there was anything in Kannada on the lines of Mann ke
Manjeere
," recalls
Sumati. There was no comparable album she could think of. "Why can't
we do one," Sarita said. And so
the idea of an album of women's voices was sparked off. Sandhya Rao, director of
the NGO, gave her okay, set to work on the broad outline,
and remarked, "We don't have to look for a composer, we have one in
house".
Everyone at the NGO, which works in
the area of women's rights, endorsed the project. Sumati
then contacted her poet-friend B N Usha, who set about reading hundreds of books of
poetry written by women.
Usha shortlisted 30 poets, but the album could
have only about 10 songs, which is why the list was scaled
down again. Finally, she chose 10 poems, written with no inkling
that they would be turned one day into songs. "I looked for poems
that weren't stuck in the groove of patriarchal attitudes. Many
folk songs have that problem," says Usha. Neither was she happy
with poems that stridently went to war with men. "I finally
found that many women had written sensitive poetry
that didn't fall in either
category."
And then Sumati set about making the
tunes. "I had made tunes for bhajans and composed my own
taranas. Some I kept in my mind, others I wrote down," she
says. But she hadn't shut her ears to popular music, and counts Bob
Marley, Shubha Mudgal and Rahman among her favourites.
The recording was done at Prabhat Studio
in Bangalore. She took the help of Praveen D Rao for the sequencing
and the orchestra.
Some poems, like Bedagu and
Doni had no
conventional metre, which Sumati took as a challenge. She wanted the
music, as she says, to "flow". She wanted to follow the rhythm of
the words.
B
Jaishree, theatre director and star of many raspy Kannada film hits,
sang the rap-style Bagilu. Each line was different, and
Jaishree said she couldn't make out how to sing the number.
She went into lots of takes, but finally got it all
stylishly. This track finally became the centre of a
dispute in the NGO, with Sumati defending her choice of singer and
her style, and some others arguing that it was too
aggressive. Sumati finally persuaded the others to see her
point, which was that no one other singer
could throw her voice as effectively as Jaishree. "It was a learning experience
for them, as it has been for me," she
says.
The
singers on the
album are, besides Sumati, Bharati, M D Pallavi, Aditi and
Suchitra. The instrumentalists include Faiyaz Khan (sarangi), Raman
Iyer (saxophone) and Jyoti (sitar). Lahari is distributing
Gamini.
Would Sumati's orthodox guru have appreciated this
sort of music? "He used to startle me by saying he
liked songs like Cheez badi hai mast mast and Amma
dekh! Maybe he wouldn't have disapproved," muses
Sumati.
Arundhati Rao (still popularly known as
Arundhati Nag, thanks to the unfading public memory of
her actor-husband Shankar Nag) released the album
in Bangalore on 31 March 2001. Gamini had
two releases: one at Bombay Store on M G Road, and the other at
Calypso at Jayanagar. Watch out: a couple of songs from the album
could be made into
videos.
Suchitra's
note: Since I am one of the singers on this album,
I was caught in a dilemma: should we publish a piece on it or
not, and if we do, will it amount to self-promotion. We then
reasoned that since this is Sumati's album, and your humble
editor only plays a very miniscule role in it, we shouldn't
really go to the extent of blanking it out. Just
because Sumati made the mistake of giving me a song, why
deprive the world of hearing about her album! So, dear reader, here
we go.
Write to the editor
Write to Sumati, the music composer
Write to Hengasara Hakkina Sangha, producers of Gamini
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